Innehållsförteckning:
“…`Passing into Foreign Parts': The Early Life and Travels of Inigo
Jones? -- `Turning to Architecture': Surveyor of the King's Works -- `Studying the Arts of Design':
Jones's Library -- `The Orator and the Architect':
Jones and the Art of Rhetoric -- Albion and Jerusalem: Protestant Ancient Britain and
Jones's Tuscan Stonehenge -- `Porticoes and Scats for Knights':
Jones's Doric Portico to St George -- `Ornaments of Counsel as of Court':
Jones's Solomonic Corinthian Portico to St Paul's Cathedral -- `The First Face of Antiquity':
Jones's Tuscan Order at Stonehenge -- Magnificent Inventions:
Jones's Architectural Orders as Emblems of Royal Triumph -- `A Mixed Character': Royal Processions and
Jones's Architectural Orders -- `Sacred Pomp and Procession': From Palace to Temple in Stuart London -- `Shine Like the Chariot of the Sun': The Lord Mayor's Procession and
Jones's St Paul's Cathedral -- `Taken out of Darkness':
Jones's Cathedral and the Temple to Apollo -- Piece of Good Heraldry:
Jones and the Orders of Chivalry and Architecture -- `Architectural Heraldry':
Jones's Orders and the Theory and Practice of Heraldry -- `The Hieroglyphics of Nobility': The Common Ancestry of
Jones's Orders and Heraldry -- `The Display of Heraldry': Garter Knights, City Companies and
Jones's Chivalric Orders at St Paul's Cathedral -- Her Majesty Resembled to the Crowned Pillar: The Body of
Jones's Columns and the Legal Body of the Stuart King -- `Justice, Equity and Proportions': Legal Practices and Vitruvian Rules -- `Marking the Pillars and Pinnacles': The Body of
Jones's Columns and the `Two Bodies' of the King -- `Crowning Peace with Law':
Jones's Architecture of Stuart Justice -- `Celestial Mansions': Stuart London and the `Ideal'
Commonwealth -- Moral Architecture: The Early English Architectural Treatises at the Banqueting House and St Paul's Cathedral -- `The Most Licentious of the Building Styles': John Shute's Noble Tuscan and Evil Composite -- `The Labourer and the Prostitute': Henry Wotton's Orders and
Jones's Banqueting House Facade -- `Letting Pass All Superstition': The Euclidean Geometry of John Dee and Robert Peake, and
Jones's St Paul's Cathedral -- Masculine and Unaffected: The `Roman Sketchbook' at the Queen's House, Newmarket Lodging and the Catholic Chapels -- `Varying with Reason':
Jones's Study of Architectural Decorum -- `Gravity in Public Places': Catholic Toleration and
Jones's Early Use of the Orders -- `Large Halls in Croat Men's Houses':
Jones's Secular Court Projects -- `Decorum at the Temple':
Jones's Ecclesiastical Projects -- `Without Ornament and Living in Disguise': Towards an Eloquent Architecture -- Imagination Set Free: Ethics and Decorum at the Banqueting House -- `Evoking Aristotle':
Jones's Study of Decorum and the Aristotelian `Mean' -- Justice and Virtue Comprehended': Rubens's Banqueting House Ceiling and the Aristotelian `Mean' -- `A Middle Quality': Balancing Temperance and Licentiousness on the Banqueting House Facade -- `Masks, Festoons and Scrolls': The Licentious and the Grotesque -- Imperial Seat or Ecumenical Church? …”
Sparad: