“…There he hears-and outlines-a fascinating web of musical interconnection that brings Davis's funk-inflected sensibilities into conversation with the avant-garde worlds that players like Ornette Coleman and
John Coltrane were developing. Going on to analyze the little-known experimental groups Circle and the Revolutionary Ensemble,
Gluck traces deep resonances across a commercial gap between the celebrity Miles Davis and his less famous but profoundly innovative peers. …”
Saved in: