Alibis, and why performers don t have them
Finna-arvio
Alibis, and why performers don t have them
Gritten_MS2005S.pdf
(Jyväskylän yliopisto - JYX)
Musical performers confront, deal with, and participate in musical "events". These musical events present the performer with a number of obligations to uphold. One particular kind of obligation precedes and overrides the other kinds of (aesthetic) obligation compositional, historical, critical-interpretative, physiological, for example and lies at the root of the "contingencies", "illusions", and "anxieties" of which performers and commentators often speak. In this essay I illustrate the nature of this non-foundational obligation through a meditation on a concept of Bakhtin's: the "alibi".
Tallennettuna:
Kieli |
englanti |
---|