Gaps and Gothic sensibility : Walpole, Lewis, Mary Shelley, and Maturin
Ossian, Blake and the questionable source
The Gothic revival and the theory of knowledge in the first phase of the Enlightenment
The roots of the symbolic role of woman in Gothic literature
Laying the ground for Gothic : the passage of the supernatural from truth to speciale
Sentimental horrors : feeling in the Gothic novel
Sturm und Drang in Radcliffe and Lewis
Nature and psychology in Melmoth the Wanderer and Wuthering heights
Jane Austen's Gothic architecture
Gothic and its origins in East and West : Vladimir Odoevsky and Fitz-James O'Brian
Aspects of the supernatural in the shorter fiction of James Hogg
The supernatural in the stories of Elizabeth Gaskell
The end of the line : the family curse in shorter British fiction
The Gist of the Gothic in English fiction, or, Gothic and invasion of boundaries
Male monsters on monsterous males in Victorian women's fiction
Myths of enclosure and myths of the open in The monk and Wuthering heights
Gender and role-playing in Lady Audrey's secret
Opening the text : the locked-trunk motif in late eighteenth-century British and American Gothic fiction
Palex defixus, or, the spellbound Flea : an excursion into porno-Gothic
The split personality and other Gothic elements in David Lindsay's A voyage to Arcturus
"An immense snake uncoiled" : H. Rider Haggard's Heart of darkness and imperial Gothic
Dracula in film
Postmodern Gothic